ÌÀÍ·Ìõ

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Schedule

Public Programs in Venice

Dr. Maria Magdalena Campos-Pons giving introductions to the Resonance exhibition, Fondazione Marchesani in Venice.
Photo by LeXander Bryant

Note: All Events in Central European Summer Time (CEST, UTC+02:00)

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MICRO-RESIDENCY · MONDAY, 23 MAY – FRIDAY, 29 MAY, 2026

Jana Harper

, is a research-based multiplatform artist who transforms the burdens of history through gestures of empathy and reciprocity. Her work addresses topics such as the erosion of democracy, U.S. gun policy, Native American sovereignty, and the Rights of Nature.


TUESDAY, 26 MAY, 2026

9:00

Resonance of the Water 

Join , whose works Song for the Water and Ancestor Bulletin are featured in Resonance, for a short participatory program honoring La Laguna and the waters of the Veneto.


THURSDAY, 28 MAY, 2026

19:00–21:00

Signals and Matter

What does science carry that art can hold? This session brings together two perspectives on resonance as method and as meaning—asking how we listen across time, distance and discipline.

  • Signals Across Time: ’s work explores the resonance of history in the American South, tracing signals that persist through memory, archives and lived experience. In Frank’s Shoe Service, she reintroduces Frank Morris’s life and unsolved murder by republishing his shoe shop advertisements in the Louisiana newspaper where they first appeared. As both an artist and director of ÌÀÍ·Ìõ’s Dyer Observatory, Ingram examines how artists and astronomers interpret signals—visual, sonic, historical and cultural—that reverberate across time and space. Echoing Galileo’s 1609 observations from the Campanile of St. Mark’s, her work at Dyer reflects a shared impulse across art and science to imagine, observe and record, and to invite public wonder.

  • On Resonance: A Minor Key of Contemporary Art: , the author of Resonant Matter: Sound, Art, and the Promise of Hospitality, will discuss the theme of resonance within a wider context. Modern physics played a crucial role in defining the meaning of resonance. Today, however, the concept offers a keyword for a wide range of artistic practices that probe the entangled nature of human and nonhuman entities. What explains the popularity of resonance as an aesthetic concept? And how does it situate contemporary art amid our world of political polarization and environmental emergencies?Â